Welcome to The Ivy League Look

This blog presents a historical view through articles, photographs, reminiscences, and advertisements, of an American style of men's fashion of the mid-20th century known as "The Ivy League Look" or "The Ivy Look."

This blog will not present modern-day iterations of this "look"; it will be shown in its original context as an American style worn during this specific era. Author commentary will be kept to a minimum.

This is not a commercial site and links to commercial sites will not be posted.

April 3, 2009

Ivy Genealogy



From the George Frazier article "The Art of Wearing Clothes", Esquire, September 1960:


Lord of New York is brash, explorative, and highly disorganized. Chronologically, Lord of New York is a branch of a genealogy that goes all the way back to 1835 and Brooks Brothers' natural-shoulder—or, as it is precisely known, No. 1—sack suit. Around the turn of the century, Arthur Rosenberg, then the foremost tailor in New Haven, began to exploit this style among Yale undergraduates, and, not long afterwards, J. Press, also of New Haven, fell into line. Eventually, two Rosenberg employees, Sam Rosenthal and Moe Maretz, went out on their own as Rosenthal-Maretz; then Bill Fenn and Jack Feinstein left David T. Langrock to form Fenn-Feinstein (now associated with Frank Brothers). Somewhat later on, Mort Sill and (a year later) Jonas Arnold quit Press and opened a shop in Harvard Square, Cambridge, which they called Chipp. Then, with his partner's departure to form Sill (New York and Harvard Square), Jonas Arnold entered into an agreement whereby two former Press employees—Sid Winston and the late Lou Prager—were permitted to use Chipp as the name of the shop they were about to open in New York. Arnold, who closed his Cambridge store several years ago, is still a partner in the New York Chipp's. In 1952, Lord of New York was begat by Chipp—or, more accurately, by three of its former employees, Ken Frank, Mike Fers, and Peter D'Annunzio. Lord charges $195 and up for a two-piece hand-stitched suit lined with tie silk. Unlike Chipp, it neither charges extra for open buttonholes on jacket sleeves nor does it line coat collars with foulard. Unlike J. Press, it resists such gimmicks as lining the breast pocket of a jacket with foulard that can be turned inside-out to serve as a handkerchief.

Source:

The Materialist

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